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Script Work

Having a well-organized, color-coded lighting script is really important in this sort of thing, because you can’t be figuring out what your programmer and spotlight ops need to be doing during the show.

Since the script was developing right up until the day of the show, I created standardized cue templates in Acrobat, and then when I got a new script I could just import them and move them around to adjust for the changed content.

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